Sunday, March 30, 2014
Tow #23 (Visual Text)- World Vision Advertisement/ "30 Hour Famine"/ World Vision 30 Hour Famine Pamphlet
Viewing Goal: Identify importance of images, not just text in image.
Writing Goal: Analyze advertisement in depth like a written text and understand audience's perspective.
Most American teenagers don't experience what it means to be really hungry- to go without food for more than a few hours, to not have food to eat for days. Unfortunately, around 8,000 kids die worldwide every day from malnutrition. World Vision, a Christian mission organization, works to support the families of these children and provide food to families below the poverty line, often in South America, Africa, and Southeastern Asia. Their ad uses appeals to pathos and rhyming to convince it's viewers to raise money as a part of 30 Hour Famine and experience hunger for 30 Hours.
Much of World Vision's ad appeals to it's viewers emotions and feelings on hunger. Everybody hates to be hungry, and most people would not wish that feeling on anybody. When they look at the children in the advertisement, they see skinny, starving children who are just happy to have a bowl of rice to eat. They also most likely notice that there is a single bowl for both of them, and because it looks like a meager amount, their hearts are opened to the problem of malnutrition. Most people feel empathy toward the children and want to gve them more- they would not want their children, siblings, friends or anyone else they know to rely on sharing one bowl if rice as their meal, maybe even meal for the whole day. The text at the bottom if the ad, which says "Release the feast", sticks in people's brains because it rhymes and also signifies that, for these children, that bowl of rice is a feast. It plays into the emotions the audience felt earlier wen looking at the children, making them consider how important food is to the kids and to everyone worldwide.
When most people see a picture of a starving child, they feel sad, empathetic, and want to make a difference. World Vision uses appeals to pathos and rhyming in its ad to catch its viewers' attentions and make them think about being part of a 30 Hour Famine Event/ make them want to donate money. Nobody want to be hungry, and through World Vision, people can help feed hungry children like they would want to be fed- they help children to receive more than just one pitiful bowl of rice, and hopefully change their lives for the better.
Sunday, March 23, 2014
Tow #22- IRB/ "Outliers: The Story of Success"/ Malcolm Gladwell
Everyone wants to be successful, but there may be more to it than
we think. Malcolm Gladwell, the author of the New
York Times Bestseller Outliers, argues that sometimes being
successful is just a matter of luck and circumstance. Through the use of
appeals to logos and exemplification, Gladwell gives detailed evidence to
support his argument and make his audience reconsider what is really exceptional.
The majority of Outliers relies on appeals to logos and
inductive reasoning. Gladwell structures all of the point that support his
argument around facts, statistics, quotes, and his own established, credible
analysis of these appeals to logos. For example, when making the point
that a person’s birthday is often important to their success, he collects
statistics about birthdays across many years and professions, from professional
Canadian hockey to the industrial captains of the 19th century, like
Rockefeller and Carnegie. When Gladwell analyzes the circumstances these people
were in to make themselves successful, he uses facts as background knowledge to
prove their success or explain how their success was “measured”. This
background and these statistics work well with all the exemplification in Outliers as well, addressing
counterarguments and making his own arguments at the same time.
The exemplification in Malcolm Gladwell’s argument is both
interesting and vital as evidence. While they work well with statistics and
other facts, they also provide real stories to Outliers that make the book seem like a collection of more than
just theories on success. Since the book is psychological, the book would be
very scientific and methodical, perhaps even boring, without these examples. But
exemplification does more than just mix with logos to form the backbone of
Gladwell’s book; Exemplification adds a bit of pathos too by adding a sense of
reality and emotion to the book. The people in the examples were real/are real
people, like us, and have experienced success, meaning that if we find
ourselves in similar situations, or make the most of our lives, we too can be
successful.
Malcolm Gladwell’s book Outliers
is a psychological, subtle “self-help” kind of book that uses appeals to pathos
and exemplification to argue that success may be more complicated and circumstantial
than we think. It makes its readers think about the true meaning of success
while still connecting to its readers through common information and
entertaining stories. It is the kind of nonfiction book that doesn’t really
seem like a nonfiction book, suggesting that certain things, for some reason,
are just successful.
Saturday, March 15, 2014
Tow #21- The Republic/ "The Allegory of the Cave"/ Plato
Everyone asks questions and/or has questions they want answered. Philosophers were famous for asking them, most notably Socrates, and by extent, Plato, through his Socratic dialogues. Nearly as famous as his dialogues, however, was Plato's allegory "The Cave", comparing people living a primitive life in a cave to everyday people in the real world. Plato artfully uses Socrates' comparison and imagery, along with questions, to explain that people must question the world and try to "leave the cave".
Plato uses many different comparisons to convince Glaucon that the cave is worth leaving. First, he compares the people in the cave to prisoners. The word "prisoner" almost always has a negative connotation, and makes the cave seem harsh, dirty, and undesirable like a prison. Next, Plato (through Socrates) compares the positives and negatives of light and shadows. He claims that even though the light seems wonderful from inside the darkness of the cave, it is painful and hurts the prisoners' eyes after all their time in the cave. It takes a long time for them to finally adjust, get used to the light, and feel comfortable enough to completely walk away. These comparisons argue that people have trouble accepting new ideas or challenging their old ideas. Overall, though, leaving the cave and questioning life will be worth the pain and the positives.
Plato also uses imagery to argue that people must question life and stop believing only traditional ideas. First, he mixes his comparisons of the cave to a prison with imagery, then transitions to describe the world outside the cave. The images of the night sky, heaven, the sun, and nature all make leaving the cave appealing, and therefore the allegory of leaving old thoughts and beginning to question oneself.
Plato's allegory "The Cave" is made up of many comparisons interwoven with imagery that make Socrates' ideas of questioning and embracing new ways of thinking seem desirable and ideal. These comparisons and images help Socrates' friend Glaucon to make a decision concerning the allegory and learn about real life at the same time, questioning traditional ways and making "life worth living".
Plato. "Book VII of "The Republic"" Plato's Cave. N.p., n.d. Web. 16 Mar. 2014.
Sunday, March 2, 2014
Tow #20- The Guardian/ "Fail Better"/ Zadie Smith
Reading Goal: Identify Zadie Smith's argument
Writing Goal: Be able to concisely explain how she makes her argument/what strategies she uses
The best writers in the world can definitely identify good books, and the best readers in the world can definitely identify good writing. However, "good writing" is subjective in many cases; its difficult for a reader to decide what is good writing, and even harder for a writer to decide if his/her own writing is good writing. In her essay "Fail Better", author Zadie Smith argues that great fiction writing is much more personal than we often make it out to be, and that readers today are not good at judging the success of a book, through detailed anecdotes and examples, fiction-like imagery, and rhetorical questions.
Zadie Smith uses both positive and negative anecdotes in her essay to prove that good writing must be personal, and that personal writing is hard to do. Her positive anecdote is used right in the beginning to set up her argument. She uses the story of a young novelist named Clive, who attempts to write a great novel and appears to have all the skills necessary, but is not as successful as he would like/as he thought he would be because he questions himself and how he wants to represent himself in his novel. Smith uses this anecdote as an example to readers of what many writers go through, and builds ethos by acknowledging that she has done similar things, trying to write with personality and sometimes failing. Her negative anecdote comes in later on, as a counterargument portrayed through the eyes of TS Eliot. Eliot believed that writing was "an escape from personality" and what writers should avoid when writing a good novel. These contrasting anecdotes help make Smith's argument seem more valid, proving that most writers do not think of personality as important to writing and, more specifically, to fiction/the novel.
Smith also uses wonderful imagery and rhetorical questions to make her argument. Imagery is a large part of the anecdotes in "Fail Better", as well as the base for her analogies and comparisons. Without this imagery, it would be difficult to connect with the reader, as many have probably not written novels themselves. The rhetorical questions in the essay provide appeals to ethos, logos and pathos, but also are great transitions. Smith tends to use rhetorical questions to make a point or share her own opinion, making her more credible, logical, and connectable to her audience before she continues her opinion or moves towards another point in proving her argument. The questions hook the reader for the next thought, but also tie up the loose ends of the point Smith is making.
Overall, Zadie Smith uses anecdotes, imagery, and rhetorical questions to argue that writing, particularly fiction writing, is dependent on personality/personal writing to be successful. Smith also argues that because many writers are not personal in their writing today, readers cannot be good judges of successful writing and failed writing. Writers should strive to write the best they can, and that requires being personal, not scientific. Until writers can do this, they should be ok with "honorable failure", knowing that great novels are rare and its hard to write one; they should expect to fail, but try to "fail better".
Zadie Smith uses both positive and negative anecdotes in her essay to prove that good writing must be personal, and that personal writing is hard to do. Her positive anecdote is used right in the beginning to set up her argument. She uses the story of a young novelist named Clive, who attempts to write a great novel and appears to have all the skills necessary, but is not as successful as he would like/as he thought he would be because he questions himself and how he wants to represent himself in his novel. Smith uses this anecdote as an example to readers of what many writers go through, and builds ethos by acknowledging that she has done similar things, trying to write with personality and sometimes failing. Her negative anecdote comes in later on, as a counterargument portrayed through the eyes of TS Eliot. Eliot believed that writing was "an escape from personality" and what writers should avoid when writing a good novel. These contrasting anecdotes help make Smith's argument seem more valid, proving that most writers do not think of personality as important to writing and, more specifically, to fiction/the novel.
Smith also uses wonderful imagery and rhetorical questions to make her argument. Imagery is a large part of the anecdotes in "Fail Better", as well as the base for her analogies and comparisons. Without this imagery, it would be difficult to connect with the reader, as many have probably not written novels themselves. The rhetorical questions in the essay provide appeals to ethos, logos and pathos, but also are great transitions. Smith tends to use rhetorical questions to make a point or share her own opinion, making her more credible, logical, and connectable to her audience before she continues her opinion or moves towards another point in proving her argument. The questions hook the reader for the next thought, but also tie up the loose ends of the point Smith is making.
Overall, Zadie Smith uses anecdotes, imagery, and rhetorical questions to argue that writing, particularly fiction writing, is dependent on personality/personal writing to be successful. Smith also argues that because many writers are not personal in their writing today, readers cannot be good judges of successful writing and failed writing. Writers should strive to write the best they can, and that requires being personal, not scientific. Until writers can do this, they should be ok with "honorable failure", knowing that great novels are rare and its hard to write one; they should expect to fail, but try to "fail better".
Smith, Zadie. "Fail Better." Fail Better. The Guardian, n.d. Web. 02 Mar. 2014.
Saturday, February 22, 2014
Tow #19- The New Yorker/ "The Naked Face"/ Malcolm Gladwell
Reading Goal: Identify Gladwell's purpose correctly and find more than 2 rhetorical strategies
Writing Goal: Thorough analysis and clear topic sentences; write TOW like an actual analysis essay
Some people seem exceptionally good at reading other peoples' emotions and/or figuring out what another person is thinking. Bestselling author Malcolm Gladwell, the person behind books such as Outliers, uses the stories of famous psychologist Paul Ekman and others gifted with the ability to "read people well" to argue that people can be naturally born with this ability, gradually develop it, or learn it purposefully later on. In his 2002 essay, "The Naked Face", Gladwell suggests that there could be more to this skill than what meets the eye through complex appeals to logos, pathos, ethos.
All of Gladwell's argument, but specifically his appeal to logos, is fueled by well-structured inductive and deductive reasoning. To form this reasoning, he uses many personal accounts, primarily those of Paul Ekman and police officers John Yarbrough and Bob Harms. The research Ekman has done on the topic of emotions and facial expressions included in the essay makes Gladwell's argument logical and well-researched, and very arguable. It is difficult for readers to prove Gladwell wrong when he provides logical, well-defended point after logical, well-defended point. Statistics make Ekman's evidence hard to deny, and contribute to Gladwell's appeal to logos. For example, when explains how he learned to tell if someone was lying through studying facial muscles and emotions, and then describes how he predicted Clinton's bad behavior after first seeing him on TV, these testimonies give weight and proof to Gladwell's logic-based argument. His use of personal accounts also makes his argument seem personal to his audience, appealing to ethos as well as logos.
One of the more powerful elements of Gladwell's argument is how he appeals to ethos. Besides personal accounts, Gladwell masterfully acknowledges his audience by using friendly personal pronouns like "we", "you", "he", "I", and "us". Writing through these pronouns, especially "I", gives Gladwell credibility as a writer and adds credibility to his accounts because of his active involvement. Since he explains what he learned about facial expressions first hand, readers can understand his argument more thoroughly and become more personally involved themselves. His argument makes people think about their own lives also because of rhetorical questions. Gladwell end paragraphs and often transitions with rhetorical questions, which cause readers to think and sometimes are somewhat suspenseful and more interesting during the long essay. Appeals to ethos are important when considering the topic, emotions, as are appeals to pathos.
Many good arguments have appeals to logos and ethos, but Gladwell also accomplishes appeals to pathos through the use of imagery. As the introduction to very personal account and point in his argument, as well as introductions of his interviewees, Gladwell paints a picture of the "characters" and setting with physical descriptions and personal impressions. This is critical for an argument about facial expressions and emotions, because the reader gets to know the emotions and expressions of the people who are making the argument, and this helps to prove why emotions are so important and mean more than many people think.
Malcolm Gladwell's essay "The Naked Face" debates the relatively new idea that people can control and/or easily learn how to read other peoples' emotions through detailed appeals to ethos, pathos, and logos. Psychologist Paul Ekman and others help provide the reasoning and evidence Gladwell needs to support his essay. Gladwell's argument helps deny the idea that only some people are uniquely gifted with this ability, and explains how it could be potentially very important in society.
One of the more powerful elements of Gladwell's argument is how he appeals to ethos. Besides personal accounts, Gladwell masterfully acknowledges his audience by using friendly personal pronouns like "we", "you", "he", "I", and "us". Writing through these pronouns, especially "I", gives Gladwell credibility as a writer and adds credibility to his accounts because of his active involvement. Since he explains what he learned about facial expressions first hand, readers can understand his argument more thoroughly and become more personally involved themselves. His argument makes people think about their own lives also because of rhetorical questions. Gladwell end paragraphs and often transitions with rhetorical questions, which cause readers to think and sometimes are somewhat suspenseful and more interesting during the long essay. Appeals to ethos are important when considering the topic, emotions, as are appeals to pathos.
Many good arguments have appeals to logos and ethos, but Gladwell also accomplishes appeals to pathos through the use of imagery. As the introduction to very personal account and point in his argument, as well as introductions of his interviewees, Gladwell paints a picture of the "characters" and setting with physical descriptions and personal impressions. This is critical for an argument about facial expressions and emotions, because the reader gets to know the emotions and expressions of the people who are making the argument, and this helps to prove why emotions are so important and mean more than many people think.
Malcolm Gladwell's essay "The Naked Face" debates the relatively new idea that people can control and/or easily learn how to read other peoples' emotions through detailed appeals to ethos, pathos, and logos. Psychologist Paul Ekman and others help provide the reasoning and evidence Gladwell needs to support his essay. Gladwell's argument helps deny the idea that only some people are uniquely gifted with this ability, and explains how it could be potentially very important in society.
Gladwell, Malcolm. "The Naked Face." Malcolm Gladwell. The New Yorker, 2002. Web. 22 Feb. 2014.
Wednesday, February 12, 2014
Tow #18 (Visual Text)- Gum Advertisement/ "Orbit for Kids" Gum/ Food Network Magazine
Almost
no one actually likes going to the dentist, particularly not kids. But many
people enjoy gum, chewing it any time of day and almost anywhere. Bubble gum
specifically is entertaining for kids to chew. So when Orbit created their "Orbit for Kids"
gum, which is supposed to help protect teeth, they made sure to market it
towards parents, not kids. With its creative diagrams of a hand
holding the pack while showing the “helps protect teeth” label, and a hand with
the thumb covering this label, the company acknowledges the benefits of keeping
this information away from kids and also uses humor to appeal to pathos. These
appeals to pathos also appeal to ethos, combining with the gum’s plainly visible
American Dental Association (ADA) Acceptance in the bottom left corner of the
advertisement. This credibility is enhanced by the ADA’s factual, informative
description of the gum’s hygiene benefits. Their logical statement, “If kids
knew orbit for Kids was accepted by the American Dental Association, they might
not want to chew it” parallels their previous statement “Don’t let them know it’s
good for them”, and clearly explains the company’s argument/purpose, to appeal
to parents with a healthy gum that kids will love to chew. The ad also is made
up of the fun, bright colors that accompany every pack of Orbit gum and also
make a statement in the middle of a magazine filled with bright, “home-y”, but sometimes
repetitive colors. The advertisement finishes with the gum’s website, which
allows the advertisement to be both accessible and informative online/ in a variety
of methods of entertainment. The ad will reach more people, and logically
markets itself in a technology-centered atmosphere. When the gum is both
beneficial to their kids for entertainment/enjoyment and health reasons,
parents are more likely to purchase and allow their kids to chew gum. And
maybe, after some time, their kids’ teeth will have improved in the process. Maybe going to the dentist won’t be as bad.
http://media.dentalcompare.com/m/25/Article/139494-400x300.jpg
Tuesday, February 4, 2014
IRB #3 Introduction Post
Outliers: The Story of Success
By Malcolm Gladwell
Outliers is a national best-seller that explores how people become successful. Instead of thinking about WHO is famous, Malcolm Gladwell considers looking at why people are famous- what they've done, where and how they grew up, their surroundings, and what the most famous people all have in common that contributes to their success. The book is divided into an introduction, two parts, and an epilogue, each section focused on a specific aspect of success. It's somewhat psychological, but also entertaining and somewhat science-based.
I chose this book because it is completely different from any other book I've read for an IRB so far. I tend to lean towards history when I read non-fiction, and I don't really read a lot of non-fiction outside of school anyway. This book has also been recommended to me by many friends of mine, and I am generally willing to try a variety of genres as long as I know that the book is good. Also, the book resembles a series of stories at times, which is what I enjoyed about the "Best Essays" book I read this summer and the memoir I read last marking period. I'm also a fan of learning interesting trivia when reading, and Outliers seems like it will include this as an added "bonus". I'm excited to start reading this, and I think it will definitely be unique compared to the fiction I normally spend my time reading.
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